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Label Myrios Classics |
UPC 4260183510338 |
Catalogue number MYR 033 |
Release date 08 December 2023 |
"I have to say that this recording is more exciting and lively than the previous one and that is in no small part due to Roth's well-considered tempo choices."
Luister, 01-2-2024The Gürzenich Orchestra, firmly rooted in Cologne but open to the world, stands for groundbreaking interpretations, innovative programmes and diverse offerings beyond the concert hall. We are one of Germany's leading orchestras in both concert and opera - and have a tradition that has written music history like no other.
The orchestra was founded in 1827 by the Concert-Gesellschaft Köln, but its prehistory can be traced back to the medieval cultivation of music in Cologne. We have been the orchestra of the City of Cologne since 1888 and delight more than 100,000 visitors in about 50 concerts per season in the Cologne Philharmonic Hall. We also perform as the Cologne Opera Orchestra in around 160 performances each season.
Since the 2015/16 season, François-Xavier Roth has served as Gürzenich Kapellmeister and General Music Director of the City of Cologne. Honorary conductors are Günter Wand (1946-1974) and Dmitrij Kitajenko. The designated Gürzenich Kapellmeister and General Music Director of the City of Cologne from 2025/26 is Andrés Orozco-Estrada.
We look back with pride on our great past: outstanding works of the Romantic repertoire by Johannes Brahms, Richard Strauss and Gustav Mahler were premiered with the Gürzenich Orchestra. Today, this heritage is an incentive for us and our conductors to build bridges to the music of the present day: here, too, we can point to an impressive list of important premieres.
Around 150 musicians of the highest international calibre put their heart and soul into making us what we are: an orchestra of the highest calibre and with unlimited expressive possibilities. But we also leave the classical concert hall full of joy and without fear of contact to creatively inspire people in the midst of society. This is also part of our self-image. With performances in senior citizens' homes and kindergartens, workshops, concerts for schoolchildren and offers such as the Family Card, we inspire the most diverse target groups for music. Initiatives such as the Cologne Civic Orchestra and the Cologne Civic Choir invite people to actively participate. Of course, we are also active in the digital space with our GO Plus livestreams as well as podcasts and videos. Multiple award-winning CDs make it possible for the world to experience our uniqueness as cultural ambassadors of the city of Cologne.
François-Xavier Roth is one of today’s most imaginative conductors and programmers, whether in his
roles as General Music Director of the City of Cologne and founder of Les Siècles, or with leading
orchestras such as the London Symphony Orchestra, of which he is Principal Guest Conductor. A born
communicator, he is a charismatic and persuasive advocate for classical music of every description.
In Cologne, where he has directed both the Gürzenich Orchestra and the Opera since 2015, his
programming is notable for its breadth and depth, including new commissions alongside Baroque and
Romantic music. Roth upholds the orchestra’s pioneering heritage, which includes having given the
world premieres of Mahler’s Third and Fifth Symphonies, the Brahms Double Concerto, Strauss’s Don
Quixote and Till Eulenspiegel, and Zimmermann’s Die Soldaten. For Cologne Opera he has led new
productions of Benvenuto Cellini, Le nozze di Figaro, Don Giovanni, Tannhäuser, Tristan und Isolde, Salome,
Béatrice et Bénédict and The Flying Dutchman.
His sense of musical exploration led him in 2003 to found Les Siècles, which performs contrasting
programmes on modern and period instruments, often within the same concert. Together, they have
toured Europe, China and Japan, appearing at the Berlin Musikfest, BBC Proms, Edinburgh and Enescu
festivals. In 2019, Les Siècles became resident orchestra of Atelier Lyrique de Tourcoing, where Roth is
also Artistic Director, and in 2022 they took up their new residency at Théâtre des Champs-Élysées.
Projects have included recreating the original sound of Stravinsky’s The Rite of Spring, Ravel’s Daphnis et
Chloé and Debussy’s Pelléas et Mélisande. Currently, Les Siècles are celebrating their 20th anniversary
with a series of European tours.
Roth is a champion of new music and has premiered works by Georg-Friedrich Haas and Hèctor Parra, and collaborated with composers such as Pierre Boulez, Wolfgang Rihm, Jörg Widmann, Helmut Lachenmann and Philippe Manoury. He has a leading role in the LSO’s Panufnik Composers Scheme, mentoring young emerging composers.
Engagement with new audiences is an essential part of Roth’s work, whether speaking from the podium or working with young people and amateurs. With the Festival Berlioz and Les Siècles, he founded the Jeune Orchestre Européen Hector Berlioz, which has its own collection of period instruments and last year performed Les Troyens à Carthage in Berlioz’s birthplace. In Cologne he has initiated a community orchestra and his Ohrenauf! youth programme was recipient of a Junge Ohren Produktion Award. His television series Presto! attracted weekly audiences of over three million in France.
Roth’s prolific award-winning discography includes the complete tone poems of Richard Strauss, Stravinsky ballets, Ravel and Berlioz cycles, Bruckner, Mahler and Schumann symphonies, and albums commemorating Debussy’s centenary. He was awarded the German Record Critics’ Honorary Prize 2020, the youngest conductor ever to receive it. For his achievements as musician, conductor, music director and teacher, François-Xavier Roth was made a Chevalier of the Légion d’honneur.
Anton Bruckner was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, strongly polyphonic character, and considerable length. Bruckner's compositions helped to define contemporary musical radicalism, owing to their dissonances, unprepared modulations, and roving harmonies. Bruckner was greatly admired by subsequent composers including his friend Gustav Mahler, who described him as "half simpleton, half God".
Coming from a small farmer's village, Bruckner started his music education early, which he continued for a long time. Due to a mix of insecurity and eagerness to learn, Bruckner rushed from one study into another and he showed himself as a fanatic, but also remarkably talented, student. He started composing at an early age, but he considered everything before his 39th as mere practice. Bruckner never became a stable composer and relied on in short phases of creative energy. After these phases, he would spend ages revising his work. In particular his symphonies received countless revisions and new editions, which was also due to his insecurity, he was quite sensitive to criticism.
The premier of his Third Symphony was a disaster: a large part of the audience left the concert hall and a devastating review appeared afterwards. Luckily, appreciation for his work grew and at the time of his death, even the great Brahms attended his funeral.
I have to say that this recording is more exciting and lively than the previous one and that is in no small part due to Roth's well-considered tempo choices.
Luister, 01-2-2024
The result is a crystal clear (no vibrato) and balanced version. The balance between the instrument groups, with sonorous spaciousness in the brass, is perfect. Unlike Wagner's transitions, Bruckner stacks sound masses on top of each other and Roth knows that Bruckner's mass can also sound intimate.
De Volkskrant, 18-1-2024
The Gürzenich Orchestra plays at a high level and the recording is spacious and well arranged.
Pizzicato, 15-12-2023
Roth and his formidable orchestra do a wonderful job with this daring score, which was panned by critics in 1873. Sparse vibrato, extended general pauses and beautiful highlighting of the middle voices bring tension and excitement.
Trouw, 11-12-2023
In any case, it is clear that this score holds no secrets for Roth. Everything that needs to sound comes out crystal clear from the speakers, which also does a lot of justice to Bruckner's terraced dynamics. A very great compliment is also appropriate for the radiant sonority of the brass section and also the way in which this versatile conductor understands the art of ensuring that all orchestral groups are in perfect balance with each other. The tempos are on the smooth, but certainly not rushed side and there is a lot of attention to detail without sacrificing the big picture. If this were the only recording of this edition I would be very happy
Opus Klassiek, 01-12-2023